Redemtive Vilonce in the Odyssey by Homer Essay

The myth of redemptive frenzy is maven that is told throughout history. It is one in which violence is the creator. Whether it be creation of the cosmos, peace, or almost different result, in this myth violence results in redemption. This myth has been imbedded in our family to such a degree that it is naturalized and accepted as the elbow room things are without much reflection. For example, many Christians probably dont watch the ways redemptive violence is at the heart of their religion. A pure example of the myth of redemptive violence is found in the luxurious poem The Odyssey.Many elements of violence and how we associate with violence are explored deep down the multitude of pages of this recital. In guard nine Odysseus has to confront Polythemus, the Cyclops who is Poseidons son. Odysseus and his men where trapped within Polythemuss cave, which had wine and other luxuries in it. But the Cyclops is intent on eating every digest one of them and saving Odysseus, or N ohbdy, as Odysseus presented himself to the Cyclops, for last. Odysseus later blinds Polythemus with a tan stick, leaving him aggrieved and in smart.Writhing in pain, he opens the rock, letting Odysseuss crew escape. This is just a primal form of the myth, but by injuring Polythemus Odysseys is released, illustrating the productive post of violence. In book ten Odysseus finds himself on the island of Aeolus, which is occupied by the enrapture Circe. She lures Odysseuss men into her house and turns them into swine. Odysseus, who has an antidote to the witchs drugs given to him by the god Hermes, is immune to the witchs drugs and threatens her with the violence of his sword and she takes him to her bed where he persuaded her to change back his men.This tale within The Odyssey is one of violence such those Walter Wink wrote about in The Myth of Redemptive Violence. He writes, cosmic order requires the violent forbiddance of the feminine and is mirrored in the social order by the subjugation of women to men and people to ruler. Wink goes on to explain that this pattern keister be found in Greek myths and in a domain of other cultural expressions through history, right up to cartoons in red-brick day media. Central to this version f the myth is the suppression of flop females, and their bodies are laid out to create the cosmos in some cases. The Odyssey provides a classic example Circe, a forefingerful temptress, is subdued by Odysseuss threat of violence, therefore placing Odysseus soci each(prenominal)y above her. Throughout the book Odysseus is faced with endless hardships. He is thrown through massive and blue life threatening ordeals. He then comes home and finds that he mustiness compete for his wife. These travails point toward paradoxes in the human condition.At times, we crave pain and it allows us to associate our inner evils and our violence, and that is exactly what The Odyssey does. As Wink give tongue to in his analysis of a cartoon, the Tammuz element where the hero suffers actually consumes all but the closing minutes, allowing ample time for indulging the violent side of the self. When the good guy finally wins, viewers are then able-bodied to reassert control over their inner tendencies, repress them, and re-establish a instinct of goodness We get a good look at this act in The Odyssey, especially when Penelope asks, how do you move the bed?Odysseus replies, you piece of asst because I fashioned it out of a live olive tree, proving that he was truly Odysseus. The Odyssey is filled with redemptive violence, whether it be against Troy, Scally and Charibdys, Circe, and, most notably, the slaughtering of the suitors. The violence is not all just straight forward, there are power hierarchies, complex relationships, and other factors to account for in viewing violence in this incredible story.