Art History Museum Paper Essay

The Statue of Kaipunesut dates back to the quarter dynasty in the Old Kingdom of Egypt. It was excavated at Saqqara, a vast burial chamber ground. This specific piece was located at the mastaba of Kaemheset, which was Kaipunesuts brother. It was carve out of acacia wood which is a native timber of Egypt. The native wood did non create the highest standard of sculpt because it was k nonty and fibrous which make it difficult to use. The wood was usually painted with bright colors the eubstance was most likely a reddish/brown color. Although most of this sculpture was preserved, the paint wore off long ago. His belt has his name and Royal carpenter inscribed which suggested his occupation. It is possible that he was involved with making his own wooden statues. Sculptures based on royalty was made with hard stone to concluding forever while others of less importance were sculpted with various materials that were not necessarily meant to last.This sculpture is in the round and clos ed. It has no back liberalization or support. There are no spaces in the body and the weapons are very(prenominal) close to the sides. The pose was very formal with lean put on both legs and facing a frontal direction. The render is stylized. His face has very large, semicircular eyes and elongated lips. Also, he has tolerant shoulders and a very thin waist. His fist also appears to be very large. His belt and drapery is form fitting but very soused and does not flow freely. His body is proportional and appears to follow a grid. This exponent be because of the times when the king or pharaoh demanded perfection. The calf is bulky and does not show definition. The knee appears somewhat organic but is stylized at the same time. Kaipunesut is in a very rigid standing position. His custody are clenched and his arms are straight down on his sides. One of his legs is in front of the other and both knees are locked. This guinea pig of formal pose was very common in sculptures duri ng this time and went on for a while afterwards.